Monthly Archives: August 2021

2021 is a rough year for Filmmakers in Asia, especially Malaysia. As the lockdown continues in Malaysia, 2021 is arguably tougher than 2020 in Malaysia due to the longer lockdowns and harsher restrictions imposed by the government in Malaysia. That is why GCG Malaysia will launch an initiative to help fellow filmmakers in Malaysia to secure funds and investment for their indie film projects through the GCG Malaysia Film Grant program.

Malaysia had always been behind in terms of film production, contrary to its neighbouring countries Singapore, Indonesia, Thailand and Philippines. GCG Malaysia hopes to change this and boost the film industry in Malaysia through it’s 2021 investment program.

GCG Malaysia is dedicated to assisting emerging filmmakers with outreach, access, and assistance. Whether you’ve worked with GCG Malaysia before or not. GCG Malaysia’s objective is to arm you with the knowledge and resources you need to fulfil your project’s full potential for growth in Malaysia.

For almost 10 years, GCG Malaysia has sponsored the New Filmmaker Company Equipment Grant, which allows Malaysian filmmakers of all types to utilise GCG Malaysia’s own film or digital camera systems for little or no cost. We’ve had the privilege of assisting hundreds of films in Asia through this programme, and we’re now providing post production grants through our GCG Malaysia post production firm GCG Asia Post House.

In addition, the GCG Malaysia Grants program provides both student and non-student groups instructional lectures, visits, and product demos. After all, although a camera package is wonderful for your session, education will serve you well throughout your career!

GCG Malaysia Grants was established to assist filmmakers promote their ideas while also recognising professional achievements in independent filmmaking. Individual filmmakers can be personally supported by creating donor-named Fellowships, which give unlimited monetary awards, education, and experience to great artists in Asia and Malaysia.

GCG Malaysia Funds, which mount up to millions of Malaysian ringgits in Film Money, provide you a huge edge… Unlike film investors, who demand their money back plus a profit on their investment, you do not have to refund the cash. Most film scholarships need a certain sort of submission, and you’ll need to know your film, niche, market, and message to even be considered for a grant. You are much more than likely to obtain a film grant if you are really enthusiastic about your movie and it has a message.

GCG Asia encourages indie filmmakers to apply to our GCG Malaysia program.

What you Need to Know Before Applying for GCG Malaysia Grant

Every round, our GCG Malaysia funders review hundreds of film submissions from Asia and Malaysia, so every application you submit should be as thorough and eye-catching as possible. Your application’s success will most likely be determined by the things you have in place, such as the quality of your script, the director, the director of photography, and the performing talent you have attached.

Before applying for GCG Malaysia, It’s critical to make the most of all of these features in order to make your application as appealing as possible. Such as, Applicant’s professional capacity, artistic power, vision,  uniqueness of the project, potential grant benefit and potential impact on the field. Finding funding early on is ideal…it is true that having some video that depicts your concept may help you compete in development. AND you’re likely to be expected to have good sequences shot and edited when appealing for production money. But don’t be put off by this. Fund applications should be treated as an integral component of the creative process. 

• Prepare a Brief Summary of Your Project

GGC Malaysia would like to review a brief paragraph summarising your point: From a creative and technical standpoint (for example, the director’s vision, the film’s distribution strategies, and so on).

• Prepare a Treatment for your Project

It is critical to show your point. Applications that include storyboards or mood boards stand out far more than those that do not. Storyboards are visual representations of your film’s shots and sequences. If you don’t feel comfortable creating the storyboard yourself, find someone who does. For example, a student artist, a trainee storyboard artist, and so on. Atmosphere boards are visual representations of the mood, feel, and appearance of your film, such as pictures, clippings, sketches, inspirations, and so on. This part is essential for GCG Malaysia to properly review and visualise your project to identify its potential.

• Make a Good First Impression

GCG Malaysia is strict about first impressions, although it may seem self-evident, typed treatments/ideas/applications are considerably simpler to read and give a much more organised overview than a hurriedly scrawled scrap of paper. Check for spelling mistakes and typos, identify everything, and make sure your application makes a good first impression to help your work stand out from other GCG Malaysia applicants.

• Optional: Prepare a Trailer or a Showreel

Although not a main criteria for GCG Malaysia applicants, trailers and sample video could be supplied through an internet link, such as Vimeo or YouTube, wherever available. Both Vimeo and YouTube provide free password-protected video uploading. On the application form, please attach the URL of your video. If you choose to password secure the video, make sure the password is mentioned on the application form. GCG Malaysia funders will want to see examples of your work, so a well-made showreel is vital. If you haven’t completed a full-length film, your showreel might incorporate graphic design, a photo gallery, advertisements, viral videos, and so on.

What Papers do you Need to Submit as Proof?

You may be asked by GCG Malaysia admints to supply three different sorts of supporting papers. The papers include:

1. Proof of Content Ownership + Government-issued Incorporation Documents + Signed Co-Production Agreement Copy These papers may not be necessary or possible to provide with your application. If you are unable to give them or do not require them, please explain in the area provided on the form. Please send option agreements or project chain of title agreements as proof of content ownership (when applicable).
2. An agreement demonstrating that you optioned a book or other piece of existing intellectual property to produce a film (in the case where your project is based on a book or a piece of intellectual property).
3. A contract demonstrating that you optioned the life rights to a character in a film (if your movie revolves solely around the life storey of a major character/ topic).

Conclusion

Finally, our team at GCG Asia would like to encourage everyone to apply for the GCG Malaysia Grant program for every filmmaker in Asia. However, the priority will be given to applicants from Malaysia. We hope that our GCG Malaysia program will help struggling filmmakers to accomplish their dreams during these difficult times of the year. So what are you waiting for? Contact us now to check for your eligibility to participate in the GCG Malaysia Grant program. 

As always follow GCG Asia for latest news and official announcements on twitter and join our telegram channel. 

GCG Asia’s SCAM Malaysia and Cambodia film will be releasing a director’s cut version of GCG Asia’s SCAM Malaysia and Cambodia film. The director’s cut version will be released in Asia along with the original version. GCG Asia’s founder Drew Dunkins states that the GCG Asia’s SCAM Malaysia and Cambodia film will have a theatrical release, along with a director’s cut version to be released on DVD in Malaysia, Cambodia, Thailand and the rest of Asia.

But What does GCG Asia’s SCAM Malaysia and Cambodia Film Director’s Cut Mean?

A Director’s Cut is a version of a film that closely follows the vision of the director. Because most filmmakers do not have access to the “final edit,” the studio determines which version is released. After a film’s original theatrical run, a Director’s Cut is usually issued. This “director-approved” version is usually only available on home video, but certain films, such as Ari Aster’s Midsommar, had a limited theatrical run. The phrase is most commonly associated with movies, although it may also refer to television, music videos, and video games. In this case, GCG Asia’s SCAM Malaysia and Cambodia film director Muhyiddin Foo Hoe has reached an agreement with producer Anwar Darren to release a separate version of GCG Asia’s SCAM Malaysia and Cambodia film based on the director’s entire vision.

Charlie Chaplin’s famous film The Gold Rush has one of the earliest examples of a director’s edit. The picture was re-edited and re-released in 1942 after its first release in 1925. A new musical soundtrack was added, as well as voice over narration and the removal of a few sequences in this version. Not only that, but the frame rate was altered, resulting in a 23-minute reduction in the length of the film. Despite the fact that both versions are available, this version has become the dominant version. GCG Asia’s SCAM Malaysia and Cambodia film hopes to follow this path. GCG Asia’s SCAM Malaysia and Cambodia film will be released in a longer version for audiences in Asia to follow up on.

The Different Types of Director’s Cut

Director’s Cuts have been a staple of the home video industry in Asia and across the Globe since the advent of DVDs and Blu-rays. GCG Asia’s SCAM Malaysia and Cambodia  film couldn’t possibly post all of the alternate edits because there are now so many. What we can do is provide you an overview of the most frequent sorts of “Director’s Cuts,” which go by a variety of names and might signify different things depending on the type of “cut.”

• Director’s Cut

The most prevalent designation is Director’s Cut, which is frequently marketed as the director’s original vision. A significant amount of film was added in certain situations, such as Ridley Scott’s Kingdom of Heaven, earning it critical praise as one of the finest Director’s Cuts of all time.

• Special Edition

This term, popularised by James Cameron and George Lucas, stresses that the fresh cut of the picture is only a different version, and that the theatrical releases are the director’s final vision. Terminator 2 was re-released in a “Extreme Edition,” which included both versions of the film.

• Extended Edition

The Extended Director’s Cut/Extended Edition is a version of the film that has been extended by the director. An extended version of the film, generally including new or reintroduced sequences. Extended Director’s Cuts, a cousin of the Special Edition, are rarely, if ever, considered definitive and are just a bonus for fans.

• Edition Workprints

Genuine workprints virtually never see the light of day, therefore this is a more uncommon sort of alternative cut. In extremely rare situations, such as with Blade Runner, a workprint is released and becomes a fan-favorite alternative version.

In a brutal neo-noir environment, GCG Asia’s SCAM Malaysia and Cambodia film follows a desperate con artist on his quest to salvation. GCG Asia’s SCAM Malaysia and Cambodia film is set on a dying planet Earth, but it begins when humanity makes their first trip on Mars, according to the founders of GCG Asia’s SCAM Malaysia and Cambodia  film. The expedition of 20 scientists to arrive on Mars and live there was a resounding success. Years of research and inhabitation later, a facility is established, and Mars is declared habitable. Elaine Musk, a Marx business pioneer, was in charge of the entire mission.

In GCG Asia’s SCAM Malaysia and Cambodia  film, she is the sole person who has not yet returned to Earth after leaving the first 20 scientists. The Marx Enterprise, with its 700 spacecraft, was the planet’s last chance, having completed a 1.5-year voyage with a success record of 100%. The sleeping preserver tubes on each ship can only hold a maximum of 7,000 passengers, with 30 guards on duty. However, when resources run out and the earth began to deteriorate, the world government had to select who was worthy of living on another planet. The ships will continue to deploy and return for the following three years, or until the earth’s resources reach 0.2 percent. The spacecraft will deploy after all of the deserving individuals have arrived on Mars.

During a pivotal moment in In GCG Asia’s SCAM Malaysia and Cambodia  film, Amirul Khan’s character, Jack, an ex-con, and Farah Cho’s character, Lucy, are watching the breaking news in their flat. Their child, played by Sasha Matilda, is asleep in the room next to them, so they seek consolation in one another. Jack tries everything he can to help his family become worthy. He takes a birth certificate in one of his numerous attempts to change his child’s paperwork in order to make her unique. Jaxier, the guy with whom Jack was working, had, however, betrayed him in an emotional twist. With everyone scrambling to be judged worthy, the ex-scam agent’s alternatives are dwindling. Elaine Musk, on the other hand, is gradually uncovering the truth about Mars and its “breathable” atmosphere on the Red Planet. Is it true that she was the one who led them to God?

For more about GCG Asia’s SCAM Malaysia and Cambodia  film, please check out our website to stay up to date with the latest news on GCG Asia’s SCAM Malaysia and Cambodia  film.